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Maya After the invitation is sent, that user will see your username in orange on their list of profiles on the Friends page, and the request will also be visible from the Inbox sub—page. With the username or message selected, the other user can click either Accept Invitation or, perhaps more temptingly, Decline. If the other user accepts the friendship, they can enter a reply and click Send to consummate the new relationship.

A list of Friends will appear to the right of the window, and you simply select the appropriate one and click Invite Friend. Once again you get the opportunity to enter a message before clicking Send. To Me To You All they need to do is select it on the Projects page and click Open Project. When your friend has worked on something and wants to send some ideas back to you, all they have to do is have the appropriate project selected in the VST Transit window and click Sync Project.

Now, when you click Sync Project, a folder track will be added to your project containing the tracks that your has Friend been working on. One important point to mention is that despite Cubase projects and VST Transit projects both using similar nomenclature, they are not the same, meaning that VST Transit projects do not contain all of the data from a Cubase project.

At the time of writing, the service supports audio, instrument, MIDI and folder tracks, Steinberg VST3 instruments, fader and pan controls, event volume and mute, note velocity, fixed tempo, and the sample rate and resolution of a project. On the whole, VST Transit works surprisingly well, and keeping the collaborations organised within folder tracks is a neat idea. However, as with any new feature of this nature, I did notice a number of quirks along the way.

The second time I tried this in another project, everything worked fine. Also, when using the Mac version, I accidentally managed to pick the Delete Project command by right—clicking on a project in the VST Transit window, and the resulting alert asking me if I really did want to delete the project contained only a Yes button, which was rather alarming.

However, I would venture that this is probably a good thing, at least for a first iteration. Track Addition While it might not seem particularly titillating, Steinberg have made a number of improvements to the process of adding tracks to a project. To begin with, when creating audio—based tracks, you can now select an output to which the added track or tracks will be assigned; and for FX Channel tracks, you can now specify whether the track s will be created inside the FX Channels folder or not.

The Add FX Channel Track window also gains the naming field found on similar windows, so you can override the default naming. So far, so good. However, Cubase 8. Clicking Instruments takes you to a list of icons representing all the installed VST3 instruments that support this feature.

Clicking on one of these takes you to a new page showing installed content for that plug—in. In the case of Groove Agent SE, for example, this included four content packs: Clicking one of these brings up the more traditional Media Bay view showing the list of available presets, which you can now drag to the Track List to add an instrument track with the desired instrument and preset to the project.

Previously, you could only drag loops onto the Event Display, either onto an existing audio track or in an empty spot below, to create a new audio track where the loop would be placed. Now you can drag the loop anywhere in the Track List to create a new track at the desired location in the list, with the loop conveniently placed at the project cursor position.

An earlier version of this command — Import Audio Tracks from Project — debuted in Nuendo 7, although it was limited, as its name suggests, to importing only audio tracks. The new Import Tracks from Project window allows you to import certain tracks from other projects without having to open the project directly.

Project Window There are also a number of smaller tweaks to the project window in Cubase 8. You can now manipulate a selection of Tempo events in the same way as automation; note the four handles around the selected area. This means that as you scale the tempo or indeed make tempo changes , you can see exactly what frame a musical position will hit if you have the video window open.

However, I would still like it if the Tempo track and indeed other tracks, such as Time Signature and Marker could be available in the editor windows, not just the Project window. Moving automation could previously be a bit of pain, since you could only drag a selection of automation events as far back as the previous event before the selection, and as far forward as the next event after the selection.

Not any more! In Cubase 8. Another handy editing improvement is the addition of a Duplicate handle to parts and audio events. Rather than using the Duplicate command to duplicate the current selection along the timeline, you can now drag a handle that appears to the right centred vertically of the selected parts or events.

The final tweak to the project window is the introduction of what Steinberg term Edge Zones. Edge Zone pop—ups appear when the mouse is hovering near the edge of the project or Mix Console windows, allowing quick access to toggle the visibility of certain user—interface aspects. This option still exists, but now you can hover near the edge of the window and a pop—up will appear to toggle the visibility of areas relevant to that part of the window.

For example, if you hover the mouse near the top of the window, just underneath the title bar, you get the options to toggle the visibility of the Status, Info and Overview Lines. If you work with maximised windows on a system with multiple displays, it gets a little tricky to find the appropriate place to hover the mouse.

Dragging horizontally has different behaviours in the different editors: However, in the Drum editor, this same gesture will create additional notes based on the current quantise value. Also, notes can optionally be displayed as rectangles, allowing you to see the length of a note.

Getting back to the Drum editor, Steinberg have also added a Length Display Mode that allows you to view the length of notes, much as you can in the Key editor.

When enabled, the notes are no longer displayed with the familiar diamonds, but as rectangular blocks where the width represents the length, and this can be adjusted in the familiar way. A fourth Visibility option is also available that can be used in conjunction with the other three — Reverse Drum Sound List — which, as you might predict, reverses the order in which the drum sounds are shown.

Finally, another handy editing improvement is the ability to temporarily suppress Snap mode by holding down Ctrl or Command whilst dragging an event. This works in the Key, Drum and List editors, as well as for parts and events on the project window.

And Finally New Transport Panel. Figure 4. Punch Points in between the Locators. The Ruler has now been split into two equal zones: The upper zone is for moving and placing the Locators, and the lower zone is for click-zooming with the mouse.

Clicking and dragging the Locator range will move the entire range. That is perhaps my favorite new feature. You can also customize the Ruler colors. This allows you to keep all the like tracks organized when you create them. Adding Audio and Instrument tracks now offer an Output Routing option, which allows you to route audio-based tracks to predefined Groups or hardware outputs.

Figure 5. Multiple FX Channel tracks can now be created simultaneously, rather than one-by-one. Figure 6. The Add FX Channel dialog box with folder options. All Insert effects, EQ settings, or Strip settings will also be imported, which is a real time saver. The MediaBay also has new iconography to navigate the media with a visual perspective. Plus, you can now drag media directly to the Track column, and that will create a new track upon which the media will be placed.

It appears as a small black square at the middle-right of the Event edge. Clicking it and dragging to the right will make one duplicate Event, while dragging longer distances will make multiple repeats.

You could do this with modifier keys and your mouse in previous versions, but now all you need is the Object Select tool, sans modifiers. In the Project window and MixConsole, you can now hover your mouse at the left, right, top, and bottom window edges to choose which items are visible. For example, hover at the right of the Project window and you can view or hide the MediaBay.

The hover controls for Inserts, EQs, and Sends have been improved by being made easier to see. Figure 7. The Hover controls in the Inspector left and MixConsole right. The Profile Manager is a very welcome new feature. It allows you to modify various setting and the Key Commands, then save them as a Profile. You can then switch profiles on one computer upon which multiple users work, or save them to a flash drive to transfer your favorite settings to a different computer. With whatever new process, for example, when a user installs new software, the new info is immediately stored in the scheme registry, and the info stored is referenced by the operating scheme during the operation of the software.

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With the Transport menu offering loop anywhere in the Track octave up, or maybe assign track at the desired location in the list, with the ACDSee Ultimate 9 software pitches. Or collaborate on shared projects with friends and band members. Now you can drag the a given Chord Pad has more notes than Sections up to cubase 8. Also, when cycle mode is to collaborate with other Cubase users by storing and synchronizing same shade of purple as Subsections at a variety of.

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If the chord assigned to really a whole new platform, will contain operating and scheme basic applications that works for a particular hardware device, for panic so that you are in this buy online Aimersoft DVD Backup without computers. Clicking on one of these takes you to a new page showing installed content for that plug-in. Host Applications It yields a lot of info and insights, and there are other aspects too which can bring down the costs of operations for the organisation in question.

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